Hi, I'm Juno

I makeBrandsthat shout.

Bold brands. A big grin.

View my work
Brand & packaging designer
Juno Halvorsen laughing in a yellow beanie and red overshirt
Loud ideasBold colorZero fluff
Based in
Fernhollow
Juno in a black cap, mid-laugh
Design is how I make ideas stick.

I'm Juno.

I help small brands find their voice and bring it to life. Markers first, from the initial idea to the finished pack.

More about me
0+Years drawing
0+Brands launched
0Countries on shelf
Studio rule Markers
before
mockups
Nice things people say

“A strong idea, with room for us to be part of it.”

Priya, Pine & Pepper

“Our packaging finally has a point of view.”

Marcus, Lantern Tea Co.

“Playful design that connects with kids and parents.”

Elena, Bumble Crayons

How we work together

The full process
1

Listen

Understand the product and the people.

2

Map

Agree on a clear direction.

3

Draw

Explore with markers, refine with purpose.

4

Ship

Receive organised, production-ready files.

5

Stick around

Keep the brand growing consistently.

Good questions

Things people ask before they say yes

Budgets, timing and what you actually get. If your question is not here, ask it; I answer the same day.

See the full process
What does a brand identity cost?

A full identity system runs from $12,000. Packaging from $8,000, a campaign from $6,000. Every job is a fixed price agreed before a single marker comes out.

How long will it take?

Six to eight weeks for an identity, three to four for packaging. I take on two projects at a time so those dates hold.

Do you work with brand-new businesses?

Half of my clients have not launched yet. Bring a product and a point of view; the name and the logo are things we can make together.

What will I receive at the end?

Every file in every format, a short brand book a printer can follow, and the original marker drawings, framed if you want them.

Can we work remotely?

Yes. Kickoff and reviews happen on a call with the drawings held up to the camera. Rivergate clients get the studio and the good coffee.

Let's make something
ridiculously good.

Start a project

or say hi at hello@junohalvorsen.example

Selected brand work

Stuff I'm proud of.

Four brands, from the first sketch to the finished product.

Got a shelf to conquer?

Have something ready for its next chapter?

Start a project

Explore with a purpose

Distinctive brands with a useful system.

Give a brand a recognisable voice and a set of applications the team can keep using.

Look a little closer

  • Positioning and identity
  • Packaging and campaigns
  • Practical brand guidance
Ask a specific question
Home/Work/Pine & Pepper
Packaging design

Granola with a bit of bite.

Hand-drawn character for small-batch granola.

Pine and Pepper granola pouches on pink
ClientPine & Pepper Foods
Year2026
ServicesPackaging, illustration, print management
Timeline7 weeks

The brief

Bring a market-stall favourite to the shelf without losing its handmade character.

The approach

Kraft pouches, cobalt trees and red pepper illustrations create a recognisable family.

"It looks like we drew it ourselves, only we could never have drawn it ourselves."

One clear flavour name leads the front. Ingredient notes and serving ideas sit on the back.

The outcome

A pouch system and matching illustrations for market displays and merchandise.

  • Three-SKU pouch system with a shared die-line
  • Twelve hand-drawn ingredient illustrations
  • Back-panel copy and icon set
  • Press check and print management

Pine and Pepper / Handover

What carries forward.

  • 01Brand voice and visual direction
  • 02Type, colour and material relationships
  • 03A consistent set of applications
Home/Work/Lantern Tea Co.
Brand identity

A tea brand that glows.

An identity for tea and slower evenings.

Lantern Tea tins stacked on green
ClientLantern Tea Co.
Year2026
ServicesStrategy, naming, identity, packaging
Timeline11 weeks

The brief

Translate a mood-led tea collection into a clear naming and packaging system.

The approach

A painted lantern and forest-green tins give the range a warm, recognisable centre.

"Nobody buys a tin because it says oolong. They buy it because it says tonight."

Wrap labels create room for the illustration; small brewing symbols keep practical details clear.

The outcome

An adaptable identity for the collection, shop and printed materials.

  • Positioning and naming system
  • Wordmark, lantern mark and pattern
  • Six-tin label system and lid glyphs
  • Brand guidelines and social templates

Lantern Tea Co. / Handover

What carries forward.

  • 01Brand voice and visual direction
  • 02Type, colour and material relationships
  • 03A consistent set of applications
Home/Work/Bumble Crayons
Packaging & launch kit

Crayons that scribble back.

A bright box for small hands and big ideas.

Bumble crayon box on yellow
ClientBumble Play Goods
Year2025
ServicesPackaging, illustration, collateral
Timeline8 weeks

The brief

Make a beeswax crayon collection feel as playful as the product.

The approach

Cobalt, yellow and loose doodles turn the pack into an invitation to draw.

"The box should look like the first drawing, not the frame around it."

The same shapes connect the carton, colouring sheets and shop displays.

The outcome

A packaging and launch system with a consistent, playful voice.

  • Carton with wobbly-window die-cut
  • Nine-shape doodle library
  • Counter display and shelf stickers
  • Trade-fair booth graphics and balloons

Bumble Crayons / Handover

What carries forward.

  • 01Brand voice and visual direction
  • 02Type, colour and material relationships
  • 03A consistent set of applications
Home/Work/Marrow Bay Surf
Brand identity & merch

A surf school with sunshine on it.

A friendly identity for first-time surfers.

Marrow Bay Surf tote bag hanging on a peg
ClientMarrow Bay Surf School
Year2025
ServicesIdentity, signage, merchandise
Timeline6 weeks

The brief

Help a family surf school feel welcoming to nervous beginners.

The approach

A marker-drawn sun, soft wave and chunky type bring a relaxed coastal character.

"If a seven-year-old cannot draw the logo from memory, it is too complicated."

Test the identity on signs, totes and rash vests before finalising the system.

The outcome

A recognisable family of beach signage and merchandise.

  • Sun and wave mark, curved wordmark
  • Beach signage and hut graphics
  • Tote, rash vest and sticker line
  • Simple one-page brand guide

Marrow Bay Surf / Handover

What carries forward.

  • 01Brand voice and visual direction
  • 02Type, colour and material relationships
  • 03A consistent set of applications
What I do

Four ways to turn heads.

A clear idea, carried through every application.

How it all fits

Starter

One lane

One focused service with an agreed scope.

from $4,200

Most popular

Brand plus pack

Strategy, identity and packaging together.

from $18,500

Ongoing

Studio on call

Ongoing design for a growing brand.

from $2,400 / month

Illustrative starting prices. Each project receives a written scope and quote.

Not sure which lane?
Ask me.

Book a chat

A short conversation to find the right fit.

From a clear brief to a useful handover.

  1. 01

    Prioritise

    Agree on a short queue with one clear owner. Decide what needs to be finished before adding more work.

  2. 02

    Make and review

    Share focused updates with enough context for useful feedback. Keep decisions and open questions beside the work.

  3. 03

    Close and continue

    Deliver the finished files and record what changed. Review the next priority instead of letting requests disappear into a long list.

Not sure where to begin?

Start with the question.

Tell us what needs to change and where the current experience falls short.

Discuss the project
Home/Services/Identity systems

Identity systems

A complete visual language: marks, type, colour and illustration.

Lantern Tea tins, an identity project

What's inside

  • Three directions sketched by hand, one developed in full
  • Primary mark, secondary marks and a responsive lockup set
  • Type system using licensed or open fonts you can actually install
  • Color palette with print, screen and accessibility values
  • Pattern and illustration style so the brand has more than one outfit
  • A short, readable brand guide and a clean file package

How it runs

Agree on the brief, explore three sketch directions, then develop one across real applications. Finish with files and a concise guide.

Good fit if

For a launch, a new direction or a brand that has outgrown its first identity.

Not a fit if

For a single production task, a focused artwork service may be a better fit.

Recent identity work

Lantern Tea Co.   Marrow Bay Surf

Lantern Tea tins

A related application

Lantern Tea Co.

Explore the project’s direction, decisions and finished applications.

View the case study

The engagement

Consistency that helps the team move.

Give a brand a recognisable voice and a set of applications the team can keep using.

What the handover includes

  • Component and state inventory
  • Tokens and usage patterns
  • Examples and contribution guidance

How the work takes shape.

  1. 01

    Audit

    Compare real screens and find the repeated decisions. Identify where similar components behave differently.

  2. 02

    Consolidate

    Define a smaller set of patterns with explicit states. Check keyboard use, long content and compact layouts.

  3. 03

    Maintain

    Give the team working examples and a clear process for changes. A system should make the next screen easier to build.

Before we begin.

What should I bring?

Share the current material, the audience, the date that matters and the decision you want the work to support. A short, specific brief is enough to start.

How is the scope agreed?

Pages, applications, revision rounds and delivery responsibilities are written down before the work begins. New requirements are reviewed together.

A useful first conversation

Bring the project into focus.

Share the goal and the material you have. We can work out the right starting point.

Discuss this service
Home/Services/Brand strategy

Brand strategy

Define the audience, difference and voice before design begins.

Juno mid-laugh in a black cap

What's inside

  • A half-day workshop with the people who actually decide
  • Customer and shelf research, done by walking into shops
  • Positioning statement, brand idea and three proof points
  • Voice and tone guide with real example sentences
  • Naming and product architecture when you need it
  • A twelve-page strategy document you will actually re-read

How it runs

Explore the product and customers through conversation, then turn the findings into a clear creative brief.

Good fit if

For teams that need a shared direction before investing in design.

Not a fit if

Already have a strategy you trust? Bring it to the identity stage.

Strategy in action

Lantern Tea Co.   Read: brand personality

Pine and Pepper granola pouches

A related application

Pine and Pepper

Explore the project’s direction, decisions and finished applications.

View the case study

The engagement

Clarity before the visual direction.

Give a brand a recognisable voice and a set of applications the team can keep using.

What the handover includes

  • Audience and positioning outline
  • Messaging hierarchy
  • Voice and launch direction

How the work takes shape.

  1. 01

    Listen

    Gather the questions customers actually ask and the language the team already uses. Separate evidence from assumptions.

  2. 02

    Choose

    Agree on the central promise, the audience and the proof available to support it. A useful strategy makes some choices easier to rule out.

  3. 03

    Express

    Turn the direction into a message hierarchy and practical examples. Test them on the pages and materials people will really see.

Before we begin.

What should I bring?

Share the current material, the audience, the date that matters and the decision you want the work to support. A short, specific brief is enough to start.

How is the scope agreed?

Pages, applications, revision rounds and delivery responsibilities are written down before the work begins. New requirements are reviewed together.

A useful first conversation

Bring the project into focus.

Share the goal and the material you have. We can work out the right starting point.

Discuss this service
Home/Services/Packaging design

Packaging design

Distinctive packaging, considered from structure to print.

Pine and Pepper granola pouches

What's inside

  • Shelf audit: photographs of your real competitors on real shelves
  • Structure and format advice with your printer or co-packer
  • Hand-drawn illustration made for the print process, not against it
  • Front, back and side panel systems that scale across SKUs
  • Regulatory panel layout and proof-reading pass
  • Print-ready files, colour specs and a press check

How it runs

Test the shape in simple mockups, develop the illustration, then check artwork and proofs at production size.

Good fit if

For new ranges, new shelves or products whose packaging needs to catch up.

Not a fit if

Production-only work is best scoped separately from a new packaging direction.

Packaging on the shelf

Pine & Pepper   Bumble Crayons

Bumble crayon box

A related application

Bumble Crayons

Explore the project’s direction, decisions and finished applications.

View the case study

The engagement

A design that works in the hand.

Give a brand a recognisable voice and a set of applications the team can keep using.

What the handover includes

  • Range architecture and visual direction
  • Packaging artwork layouts
  • Production handover notes

How the work takes shape.

  1. 01

    Map the range

    Identify the information every pack needs and the differences between variants. Establish a hierarchy that survives a quick glance.

  2. 02

    Test the surface

    Review artwork at real size, on the intended shape and beside the rest of the range. Check small type and mandatory information.

  3. 03

    Prepare the files

    Organise the approved artwork and production notes. Confirm materials, finishing and final proofs with the production partner.

Before we begin.

What should I bring?

Share the current material, the audience, the date that matters and the decision you want the work to support. A short, specific brief is enough to start.

How is the scope agreed?

Pages, applications, revision rounds and delivery responsibilities are written down before the work begins. New requirements are reviewed together.

A useful first conversation

Bring the project into focus.

Share the goal and the material you have. We can work out the right starting point.

Discuss this service
Home/Services/Collateral & campaigns

Collateral & campaigns

One visual voice across launch materials, merchandise and digital channels.

Marrow Bay Surf tote bag

What's inside

  • Launch kit: counter displays, shelf talkers, stickers, inserts
  • Merchandise with suppliers I have already argued with
  • Signage and environmental graphics for shops and booths
  • Social templates in the brand's own drawing style
  • Campaign concepts with a headline system and doodle library
  • Production files and a supplier hand-over sheet

How it runs

List the key applications, prioritise them and design them as one family. Shared shapes, colour and type keep each piece connected.

Good fit if

For a brand preparing for a launch, a new season or a trade show.

Not a fit if

The identity itself is the problem. Fix the house before buying the furniture; start with identity systems.

Campaigns in the wild

Bumble Crayons launch kit   Marrow Bay merch

Bumble crayon box

A related application

Bumble Crayons

Explore the project’s direction, decisions and finished applications.

View the case study

The engagement

A design that works in the hand.

Give a brand a recognisable voice and a set of applications the team can keep using.

What the handover includes

  • Range architecture and visual direction
  • Packaging artwork layouts
  • Production handover notes

How the work takes shape.

  1. 01

    Map the range

    Identify the information every pack needs and the differences between variants. Establish a hierarchy that survives a quick glance.

  2. 02

    Test the surface

    Review artwork at real size, on the intended shape and beside the rest of the range. Check small type and mandatory information.

  3. 03

    Prepare the files

    Organise the approved artwork and production notes. Confirm materials, finishing and final proofs with the production partner.

Before we begin.

What should I bring?

Share the current material, the audience, the date that matters and the decision you want the work to support. A short, specific brief is enough to start.

How is the scope agreed?

Pages, applications, revision rounds and delivery responsibilities are written down before the work begins. New requirements are reviewed together.

A useful first conversation

Bring the project into focus.

Share the goal and the material you have. We can work out the right starting point.

Discuss this service
About

Hi, I'm Juno. I draw loud.

I’m Juno, a brand and packaging designer based in Fernhollow.

After six years in agencies, I started an independent studio for smaller brands with something to say.

Markers before mockups. An idea should work on paper before it reaches the screen.

Say hello See how I work
Juno Halvorsen laughing
Fernhollow, since 2017

Three things I believe

Be seen first

Make the brand easy to notice and recognise.

Warm beats cool

Give people a reason to smile.

Make it real

Stay with the work through production and launch.

The path so far

  • 2017 to nowJuno Halvorsen Studio

    Independent brand and packaging design, from a single pack to a complete range.

  • 2014 to 2017Senior designer, Harbourlight Agency

    Packaging design for food and drink.

  • 2011 to 2014Designer, Northwind Studio

    Identities for cafés, festivals and independent makers.

  • 2011Graduated, Fernhollow School of Art

    Illustration and graphic design.

In the toolbox

Chisel-tip markersVector drawingLayout and print prepRaster and retouchingDie-line toolsMotion basicsCraft knife and cardA very loud speaker

Talks and teaching

I run a two-day packaging sprint at the Fernhollow School of Art each spring and speak at small-brand meetups whenever someone asks nicely. Want me at yours? Get in touch

Enough about me.
Tell me about you.

Start a project

or browse the work first

Insights & ideas

Notes from the boat shed.

Notes on brands, packaging and the power of a drawn line.

Get the next one by email

An occasional studio note. This demo does not send email.

Subscribe

Explore with a purpose

Distinctive brands with a useful system.

Give a brand a recognisable voice and a set of applications the team can keep using.

Look a little closer

  • Positioning and identity
  • Packaging and campaigns
  • Practical brand guidance
Ask a specific question
Home/Insights/Brand personality
Strategy

How to build a brand personality people actually remember

Doodle eyes and pencil on blue

A useful brand personality guides choices. A list of broad adjectives rarely does.

Start with a person, not a mood board

Describe how the brand would behave: what it says, what it notices and how it responds when something goes wrong.

A personality you cannot act out is a personality you cannot design.

Pick one exaggeration

Choose one characteristic to emphasise. A tea collection might express a slower evening through warm colour, names and illustration.

Write the voice before the logo

Test the voice in a pack description, an email and a sold-out sign. They should sound like the same person.

Make it survivable

Carry that character into ordinary details, from delivery labels to instructions. Recognition grows through those repeated choices.

Juno Halvorsen
Juno HalvorsenBrand and packaging designer in Fernhollow. Draws first, asks questions constantly.

Begin with the voice

A brand feels familiar when its language, images and layout make compatible choices. Write down a few examples of how it speaks in an ordinary situation. Those examples are more useful than a long list of adjectives without context.

Personality is a pattern of decisions.

Test it in use

Place the identity on the things people actually encounter: a small label, a mobile page, an order message. The same idea should still be recognisable when the size and amount of content change.

Leave room for variation

Consistency does not require every page to look identical. Keep a small set of stable rules and let the composition respond to the content. The result should feel like a family of applications, with enough freedom to keep each one useful.

Home/Insights/More than a logo
Identity

Good design is more than a pretty logo

Doodle OK hand on yellow

A logo is one part of a brand’s visual language.

What people actually recognise

Cover the mark on a familiar pack. Colour, type, illustration and voice should still help you recognise it.

Nobody has ever fallen in love with a brand because of its kerning.

The five things that do the work

  • Colour. Two colours you own on your shelf, used with discipline.
  • Type. One display voice and one quiet voice, and the rule for when each speaks.
  • Illustration or photography style. The thing that makes a picture yours before anyone reads a word.
  • Voice. The sentence on the back, the sign on the door, the reply to a complaint.
  • Behaviour. What the brand does when nobody is looking: the invoice, the return label, the delay email.

So what is the logo for?

Design those elements together, then test the system on the places people will actually see it.

Juno Halvorsen
Juno HalvorsenBrand and packaging designer in Fernhollow. Draws first, asks questions constantly.

Begin with the voice

A brand feels familiar when its language, images and layout make compatible choices. Write down a few examples of how it speaks in an ordinary situation. Those examples are more useful than a long list of adjectives without context.

Personality is a pattern of decisions.

Test it in use

Place the identity on the things people actually encounter: a small label, a mobile page, an order message. The same idea should still be recognisable when the size and amount of content change.

Leave room for variation

Consistency does not require every page to look identical. Keep a small set of stable rules and let the composition respond to the content. The result should feel like a family of applications, with enough freedom to keep each one useful.

Home/Insights/Consistency
Systems

Three ways brand consistency builds serious trust

Doodle sneaker on pink

Consistency helps people recognise the same care in different places.

1. Repetition is recognition

Repeat a few distinctive elements across the sign, the pack and the product. Each encounter reinforces the previous one.

2. Consistency signals care

Match the voice and detail of practical materials to the main design. Instructions and labels are part of the experience too.

Small brands cannot outspend anyone. They can out-consistent everyone.

3. Rules make room for surprises

A clear system also creates room for play. One unexpected shape stands out when the surrounding rules are familiar.

The practical version

Write down the few things that stay fixed: core colours, drawing style, type and voice. Let the applications adapt around them.

Juno Halvorsen
Juno HalvorsenBrand and packaging designer in Fernhollow. Draws first, asks questions constantly.

Begin with the voice

A brand feels familiar when its language, images and layout make compatible choices. Write down a few examples of how it speaks in an ordinary situation. Those examples are more useful than a long list of adjectives without context.

Personality is a pattern of decisions.

Test it in use

Place the identity on the things people actually encounter: a small label, a mobile page, an order message. The same idea should still be recognisable when the size and amount of content change.

Leave room for variation

Consistency does not require every page to look identical. Keep a small set of stable rules and let the composition respond to the content. The result should feel like a family of applications, with enough freedom to keep each one useful.

How we work together

Five steps, no mystery.

Five steps, with clear decisions along the way.

1

Listen

2

Map

3

Draw

4

Ship

5

Stick around

1

Listen

Discuss the product, customer and constraints. Agree on a written brief.

  • Kick-off call, 90 minutes
  • Shelf or market audit with photographs
  • One-page brief, signed by both of us
2

Map

Define what the brand should express and use it to guide creative choices.

  • Positioning and one big idea
  • Voice notes with real example sentences
  • Roadmap of every deliverable and date
3

Draw

Explore rough marker sketches, choose a direction and develop it across real applications.

  • Three sketched directions
  • One route developed in full
  • Two rounds of refinement included
4

Ship

Hand over organised files, a concise guide and production proofs where needed.

  • Print-ready and screen-ready packages
  • Brand guide, short enough to read
  • Press check or supplier hand-over
5

Stick around

Keep new products and seasonal launches connected to the original identity.

  • Thirty days of questions included
  • Optional studio-on-call retainer
  • Same marker, no re-briefing

Questions people ask

How long does a project take?
Strategy alone is about three weeks. An identity is around seven, packaging seven per SKU system, and a combined brand-plus-pack project usually lands at eleven to fourteen weeks. I book two projects at a time so those numbers hold.
Do I get all the files?
Yes. Editable source files, print packages, screen exports and the illustration library, all named sensibly and handed over with a short call so your team knows what is what.
Can you work with our printer?
Happily, and I would rather talk to them early than late. If you do not have one yet I will introduce you to a few I trust and stand next to the press on the day.
What if we do not like the direction?
Because you see marker sketches early, wrong turns are caught in days rather than weeks. Two rounds of refinement are built in, and if we are genuinely off, we go back to the roadmap together and re-aim before any more drawing.
Do you take on brands outside food and drink?
Yes: kids' goods, outdoor, small hospitality and anything else sold in a row of near-identical boxes. If the project needs to be seen first and remembered second, it is a fit.

Ready for step one?
Let's listen.

Start a project

Ask about the next available start date.

Let's work together

Say hello.

Share the brand, the project and the timing.

Identity system
Brand strategy
Packaging design
Collateral and campaigns
Not sure yet
Under $5,000
$5,000 to $10,000
$10,000 to $25,000
Over $25,000
Send it over

Other ways in

  • Emailhello@junohalvorsen.example
  • Phone+1 (555) 010-7742
  • StudioBoat Shed 3, Quay Lane, Fernhollow
  • HoursMon to Thu, 9 to 5. Fridays are for drawing.

What happens next

  1. I read your message and reply with three or four questions.
  2. We book a twenty-minute call. No slides, just talking.
  3. You get a one-page proposal with a price and a start date.
  4. We start with step one: listening.
CurrentlyBooking projects
for late autumn

Whoops.

That page wandered off the sketchbook. Let's get you back to something real.

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