My work sits between documentary and landscape photography. I plan trips around weather windows rather than landmarks, and I would rather wait three hours for the fog to move than take a sharp photo of a boring sky.

Everything here was shot on long walks, slow mornings, and a few very cold nights. If an image looks effortless, it probably took the most attempts.

A small kit that fits one backpack: a full-frame body, one wide zoom, one long zoom, and a fast prime for the hours when light gets scarce.