Motion graphics0:30<direction>
Build a 30-second looping motion design showreel that introduces CLAUDE, a motion designer.
Concept, in one line: one pencil line gets promoted three times (graphite on paper, wire on a blueprint, light on black) and never leaves the screen.
Every shot is made out of the previous one: shapes, type and colour transform into the next scene. No cuts, no fades.
Typeface: Geist only. Weight 900 for big words, 600 to 800 for small labels (24 to 28 px, tracked 0.14 to 0.3 em).
Palette: paper cream #EDE6D5, blueprint blue #1B3ED2, hologram cyan #45F0DD, plus black #07080A, graphite #1616…Viral Opus 5.5 videos, with their prompts
Every video people made with Claude Opus 5.5, with the exact prompt the creator used and a live remake you can compare side by side.
- Prompts free to copy
- Original and remake side by side
Browse 418 Opus 5.5 videos
Motion graphics0:30<direction>
Build a 30-second looping motion design showreel that introduces CLAUDE, a motion designer.
Concept, in one line: one pencil line gets promoted three times (graphite on paper, wire on a blueprint, light on black) and never leaves the screen.
Every shot is made out of the previous one: shapes, type and colour transform into the next scene. No cuts, no fades.
Typeface: Geist only. Weight 900 for big words, 600 to 800 for small labels (24 to 28 px, tracked 0.14 to 0.3 em).
Palette: paper cream #EDE6D5, blueprint blue #1B3ED2, hologram cyan #45F0DD, plus black #07080A, graphite #1616…@heyiamnickCanvas
Motion graphics1:21Show me the next 30 years. One shot, no cuts. Five stops: 2026, Earth at night under a cloud of satellites; 2032, a ring around the planet with space elevators; 2040, a base on the Moon; 2048, cities on Mars; 2056, a swarm of mirrors circling the Sun. Continuous camera flight from Earth out to Mars, then back past Earth to the Sun. Every frame rendered by code from real planet maps.@theSethianThree.jsGLSL
Motion graphics0:58Claude opus 5.5 made this whole motion graphic, score included
It coded every frame (HyperFrames + GSAP), wrote the music in Python and synced the sound effects itself.
The art in the "Creating" scene is real too:
Claude graded those pieces in DaVinci Resolve earlier the same day.
Details ⤵️@DheepanratnamSVGGSAP
Motion graphics0:56Cardilife 1.3 をリリースしました。
あわせて紹介動画を作りました(56秒)。
動画は Claude Code(Opus 5.5 と Fable 5.1)と作りました。編集ソフトは使っていません。
技術構成
・Remotion 4(React 19 / TypeScript):全体。1920×1080・30fps
・three.js(React Three Fiber / @remotion/three):冒頭の 3D
・Python(標準ライブラリのみ):音楽の合成
日本語版と英語版は、同じコードから props で切り替えて書き出しています。
https://apps.apple.com/jp/app/cardilife/id6802896176
#ClaudeCode #Remotion #threejs@DengenTThree.jsSVG
Motion graphics0:30This whole video is AI-generated. Claude Opus 5.5 wrote the code, the motion and even the music, all in Remotion.
But I'll say it: Opus 5.5 feels a little nerfed. It used to one-shot these videos. This one took multiple prompts, and the first cut was weak until I pushed back.
It's for Link in bio, which we just launched on Synclify.@apoorvjain25CanvasSVGGSAP
Motion graphics0:25Opus 5.5 is INSANE !!🫣
i just made a full product launch film for @Meituan_LongCat 2.5-preview… and i didn't open after effects once. not one keyframe by hand.
just me chatting with opus 5.5 → it wrote the whole thing in remotion (react code → video). the halftone xerox look, the camera moves, the transitions… even the MUSIC. it literally synthesized the beat in python and synced every cut to it 🤯
and my favorite part: the cat's eyes 👀 they're the visual anchor of the whole film. they watch you type, blink on the beat, squint, glance at stuff… then land perfectly on the real longcat logo…@LeowenAIGLSLCanvasSVG
Motion graphics0:24Opus 5.5 on Max effort (Sound On):
"A 24-second AI In Public motion reel in Remotion at 1920×1080, 60fps. Use our blue # 3D40FE, white, navy, and ice palette with the AI In Public logo and sparkle. Keep it fast, premium, and smooth with motion blur, glow, camera hits, HUD details, seamless transitions, kinetic type, terminal UI, neural visuals, particles, and a cinematic logo finale. Generate all suspenseful music and sound effects in code and sync every hit perfectly. End with “AI IN PUBLIC, learning AI, out loud.” Every frame and sound should be written in code."
full prompt on here: http:…@humzaakhalidCanvas
Motion graphics0:45Remotion
Opus 5.5@0xRapzzCanvasSVGGSAP
Motion graphics0:15I made 4 motion videos for @Shillz_Official in 3 days without opening After Effects.
no templates. no stock music. no motion designer.
just Claude writing code.
here's exactly how, step by step (bookmark this)
【作者补充制作说明】
the stack:
Claude (Opus 5.5) writes all of it
Remotion turns React code into video
three.js renders real 3D, so the glass actually refracts light
Python writes the music
I never touched a timeline. I just gave notes.@colecornelllThree.jsCanvas
Motion graphics0:15I WAS QUOTED $3000 FOR THIS!!!
So I asked Opus 5.5 (medium) to create a launch video using Motion Graphics for us.
here's the prompt that one-shots it:
"Create a 15s motion-graphics film explaining {{PRODUCT}}. HyperFrames + GSAP, no voiceover, no footage.
Style: paper-light canvas, marker notes that draw on, real physics, huge kinetic type,
hard light/dark switches, a new idea every 1.5–2 s, a sound on every hit.
COPY: read {{POSITIONING_DOCS}} first. {{ONE_LINER}} For {{AUDIENCE}}. {{WHAT_IT_DOES}}
Name what the product learns, never the abstraction.
RULES
- No chrome (scrubber, timecod…@ik_buildsCanvasSVG
Motion graphics0:30This video was made with Opus 5.5, Hyperframes, ElevenLabs with Music, SFX and Voices Endpoints throught Fal AI.
This way of making videos is making me a little addicted to be honest hahaha. I still have to improve.
Crealix Autopilot is live: set your format, style, schedule and channels once, and it plans, writes, voices and builds every video. Then again. And again.
Try it free → https://crealix.ai/autopilot@georgejimenez98GSAPCSS
Motion graphics0:10流行ってることは一回試しとくマン。
Claude Code(Opus 5.5)でモーショングラフィックスを作るのが面白いみたいなので、「シンまじん式のPV作って」と頼んだだけで、これが出てきた。
動画生成AIはゼロ。
・映像:HTML+コードで1コマずつ描画(HyperFrames)
・BGM:GeminiのLyriaで生成
・効果音:拍を解析して、着地やハンコの瞬間に音ハメ
自分がやったのは、スキルを入れて「おまかせ」って返事したくらい。
しかもClaude自身は音が聴けないのに、波形を数値で解析して音ハメしてるのがヤバい。
何なのもう…日々革命が起こりすぎて 頭ガンガンするわ@Majin_AppSheetCanvasSVG
Motion graphics0:32I have to admit, this blew my mind.
I saw people using Opus 5.5 + Remotion for launch videos, so I tried my own approach.
Opus 5.5 Max + Hyperframes locally, with Fal AI for voices, music & SFX.
Not perfect, but I loved the result.
https://www.crealix.ai Autopilot is coming.@georgejimenez98SVGCSS
Motion graphics0:34I made a launch ad for @grouped_news in an hour with Opus 5.5 and Remotion, and I never opened a video editor. I added the voiceover and music with ElevenLabs.
The ad is a React app. It imports my site's CSS tokens and fonts, so it uses the same design system as the site.
I didn't review it by watching renders. It rendered about 20 stills and tiled them into one contact sheet, so I could check a whole cut at a glance before rendering any video.
Captions are measured in the real font and shrink to fit the 9:16 safe zone, so nothing hides under TikTok's buttons. Every cut lands on a 120 BPM g…@l3d1cSVG
Motion graphics0:32Last week, we launched column permissions!
I’m not on Notion’s video team, but with the help of @claudeai, @bot, and @NotionHQ, I made a trailer over the weekend. (How I made it in 🧵)
【作者补充制作说明】
🎬 BEHIND THE SCENES:
This was built using @Remotion (React/TypeScript only!), with @claude’s opus 5.5 [xhigh], orchestrated with @bot, and managed in a Notion doc as a working canvas.
In total, this project took ~90 messages with my @bot over 2 days, which generated 33 video takes with Claude Code and cost ~$400 in Claude credits including all the other takes (API billing but should fit fine in t…@wustepSVG
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Creators on X made the originals with Claude Opus 5.5. Every video credits its author and links to the original post.
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